September 15, 2011

Caligula # 3 by David Lapham

In the first issues Felix gained access to Caligula’s inner circle, but seeking revenge and exacting it are two very different endeavors. Felix is now Caligula’s pet, his new favorite, and he has slowly descended into stupor and self-complacency. Rome is, indeed, a corrupted, immoral city, and this young man is not immune to temptation.

Until Caligula plans more harmful activities for Felix; and so the straw that broke the camel’s back comes in an example of bestiality or zoophilic perversity… the emperor of Rome forces Felix to be penetrated by his own horse, the infamous Incitatus. Now, from Suetonius to several other historians, it’s clear that Caligula always had a special place in his heart for this stallion. After all, and this is historically acquirate, he tried to bestow upon the steed the title of Consul.

Brought to the limits, Felix is now a desperate victim, unable to find a way out. He knows it’s impossible to kill Caligula; but when he runs into one of the men that, along with the emperor, raped and killed her mother, he comes to a decision: if he can’t assassinate the ruler of Rome at least he will murder all of his accomplices. And thus, the killing begins.

David Lapham reinvents the world of the Roman Empire magnificently, and he even turns Incitatus into a most sinister and eerie creature. German Nobile provides lavishly illustrated pages, mixing digital painting with other groundbreaking techniques. They are truly the perfect team for such an intense series.   

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En los primeros capítulos Félix accedió al círculo interno de Calígula, pero buscar venganza y obtenerla son dos tareas muy diferentes. Ahora Félix es la mascota de Calígula, su nuevo favorito, y lentamente ha caído en el estupor y la autocomplacencia. Roma es, definitivamente, una ciudad corrompida e inmoral, y este joven no es inmune a la tentación.

Hasta que Calígula cruza aún más el límite. La gota que colma el vaso llega en un ejemplo de lo que podría definirse como bestialismo o zoofilia… el emperador de Roma obliga a Félix a ser penetrado por su propio caballo, el infame Incitatus. Suetonio y otros historiadores han demostrado que este animal siempre tuvo un lugar especial en el corazón de su amo. Después de todo, y esto es históricamente cierto, Calígula intentó que su corcel fuese nombrado cónsul.


Llevado hasta el límite, Félix es ahora una víctima desesperada, incapaz de encontrar una salida. Sabe que es imposible matar a Calígula; pero cuando se encuentro con uno de los hombres que, junto con el emperador, violó y mató a su madre, toma una decisión. Si no puede asesinar al gobernante de Roma al menos podrá aniquilar a sus cómplices. Y es así como la matanza comienza.

Lapham hace un magnífico trabajo al reinventar el mundo del imperio romano, e incluso convierte a Incitatus en un personaje siniestro y espantoso. German Nobile ilustra minuciosamente cada página, aplicando pintura digitalmente y utilizando otras técnicas novedosas. Sin duda, es el equipo creativo ideal para una serie tan intensa. 


Caligula # 1: http://artbyarion.blogspot.com/2011/05/caligula-by-lapham-nobile.html 
Caligula # 2: http://artbyarion.blogspot.com/2011/07/caligula-david-lapham-german-nobile.html

August comic books / Cómics de agosto

August sure was a good month for comic books. Morning Glories # 11 continued the tradition of digging into the past lives of the main characters, this time it was the turn of Ike, the wealthy and selfish kid that has quickly turned into of my favorite characters. Severed # 1 was a very pleasant surprise, can’t wait for the next issues. Red Wing # 2 was so much better than the first issue, why did Jonathan Hickman decided to start with such an uninspiring first issue? But if I had to choose a favorite that’d be Kick Ass 2 # 3, it made me laugh, it shocked me, so much happened here, this is the antithesis of decompression. Hero Comics 2011 and Caligula # 3 were very good, I’ll try to review them in individual posts. And, of course, Butcher Baker Candlestickmaker # 2 was everything I could hope for from such a creative team as the one formed by Ennis and Robertson. So without further ado here you have my comic books from August (and in no particular order):

ARMY OF DARKNESS #1
By James Kuhoric & Sanford Greene The Army of Darkness ongoing series is here and the first story arc features the crossover no one ever expected to see: Army of Darkness vs. Re-Animator! Ash Vs. West! Winner takes all! Following the exciting conclusion of Shop 'Til You Drop (Dead), this first issue finds Ash committed to Arkham Asylum. It's here that he runs afoul of a rather ghoulish and creepy Herbert West... and the battle of the century begins! Featuring covers by (and shipping in equal increments): J.G. Jones (Wanted), Sanford Greene, Gabriel Dell'Otto (Secret War), and Nick Bradshaw. And, as if that weren't enough, there will a 1-in-25 cover by Nick Bradshaw featuring an 'homage' to classic slasher monster films, inserted in orders shipped! Also available Signed by artist Sanford Green! For the 'discriminating collector,' Dynamite presents a High End Limited Edition with a new 'Boomstick Foil' cover by Sanford Greene!


ARMY OF DARKNESS #2
By James Kuhoric, Sanford Greene, & Scott Kester Locked in an insane asylum, surrounded by re-animated abominations, and low on gas, Ash leads a misfit band of wannabe heroes into the depths of a Deadite-infested madhouse. Facing an entire wing of undead inmates, Ash must uncover the Necronomicon and send the evil spirits back before the gateway to the Old Ones is opened, ushering in the destruction of the human race! Its Cthulhu meets 'Chin-Fu' as everyone's favorite one-handed, wisecracking anti-hero discovers that there are worse things than Deadites detailed in the blood-soaked pages of the Book of the Dead! Can Ash uncover the book and save the day before the 'Chosen One' flies over the cuckoo's nest?!


ARMY OF DARKNESS FROM ASHES #1
by James Kuhoric & Fernando Blanco Fresh from the Marvel Zombies vs. AOD crossover! ... well, not 'minty' fresh, but fresh enough from his appearance in the universe of the Marvel Zombies, our un-intrepid hero has returned to his own world ... but what a world it's become! Evil Ash and his Deadite hordes rule the land, and everywhere Ash turns is filled with mutants and monsters! Can Ashley J. Williams gather his 'chosen' and take down the Deadite hordes and restore order to the world? Read on, and find out! The action and post-apocalyptic excitement is once again brought to you by the creative team of writer James Kuhoric and artist Fernando Blanco, and features a stunning painted cover from Arthur (Savage Tales, Marvel Zombies) Suydam and an alternate cover by Fabiano Neves!


ARMY OF DARKNESS FROM ASHES #2 
by James Kuhoric & Fernando Blanco Dynamite proudly presents the return of Ash and the Army of Darkness! Continuing the undead action and excitement from issue #1 (following the crossover of 2007, Marvel Zombies vs. the Army of Darkness), Ash continues to explore the Deadite-infested wastes of Detroit as he attempts to wrestle control of the world back from Evil Ash and his Deadite minions! Featuring another stunning script by James Kuhoric, awesome art by Fernando Blanco, and sure-to-be coveted covers by Arthur Suydam (75%) and a vicious variant chance cover by Fabiano (Marvel Zombies vs. the Army of Darkness) Neves, this is destined to be the most talked about AOD series yet! Also available in a special Foil Cov


BOYS #10 (M)
Hughie has pieced together the mysterious death of a young man, and a super-human is to blame... but is apprehension of the culprit going to be possible? Can a murderer who wears a cape be punished?


BOYS #12 (M)
The plot thickens as Little Nina's backers are revealed, and the Boys dig deeper into the mystery of the exploding supes. Hughie learns the delicate art of prisoner interrogation, and Vas lets slip the secret of the Black Skull Vodka in 'Glorious Five Year Plan,' Part Two!


BOYS BUTCHER BAKER CANDLESTICKMAKER #2 (MR)
(W) Garth Ennis (A/C) Darick Robertson 1982: on the desolate Falkland Islands in the South Atlantic, young Royal Marine Billy Butcher finds his calling. But no one can stay at war forever, and trouble comes when he indulges his love of conflict in civilian life. Butcher's life seems locked on a grim course- but help may be at hand from a rather unexpected source... MATURE THEMES


CALIGULA #3 (OF 6) WRAP CVR (MR)
(W) David Lapham (A) German Nobile David (Crossed) Lapham unveils a new tale of ancient Rome and the most feared emperor of all time. The one name that still speaks volumes of how absolute power can corrupt - Caligula. Things in Rome are reaching the breaking point. Caligula's madness is becoming apparent to some. He must go. However successfully acting on it is a very different matter. Virgin blood ceremonies, gladiator fights rigged for added brutality, and dinner parties where guests are randomly slaughtered - is there a limit to Caligula's depravity? Can Felix keep his focus and sanity in the face of so much misery and horro? A modern master of horror, Lapham digs deep into the world of Rome 37 AD and offers a unique epic of sin. Joined by new talent German Nobile who promises to serve up fully-painted pages dripping with blood, this all-new, full-color series will be six issues of evil that will make any Crossed fan smile with glee. For in the age of Caligula, all roads lead to Hell. Caligula #3 is available with a Regular cover by Jacen Burrows, a Wraparound cover by series artist German Nobile, and a special rare Golden retriever incentive.


HERO COMICS 2011 (ONE SHOT)
Neil Gaiman, Sam Kieth, John Layman, Richard Starkings, Steven Perry, Ralph Reese (w)  Mike Dringenberg, Sam Kieth, Rob Guillory, Chris Ivy, Stephen R. Bissette, Ralph Reese (a)  J. Scott Campbell, Adam Hughes Hero Comics 2011 reunites the original Sandman creative team for the first time in more than 20 years! Gaiman, Kieth, Dringenberg, together again at last! This is BIG! This is THE BEATLES getting back together for one final album-this is an event that is not to be missed! But that's not all, we also have an exclusive CHEW short story by John Layman and Rob Guillory! Chew was one of the most honored and acclaimed books last year, taking the comics world by storm. Its meteoric rise included an Eisner Award for best new series of the year! Plus, we've got a beauty of an ELEPHANTMAN story by Richard Starkings and Dougie Braithwaite! Special bonus-Sam Kieth brings you a behind-the-scenes mini-memoir of how this Sandman-alum project came to be. Plus true-to-life experiences from comics creators who have personally benefitted from the Hero Initiative!


KICK-ASS 2 #3 (MR)
Written by MARK MILLAR Pencils & Cover by JOHN ROMITA JR. The sequel to the New York Times best-selling comic - which spawned the hit movie - continues! By putting on his now-famous green costume and dishing out his own brand of vigilante justice on street thugs and mob bosses alike, high school loser Dave Lizewski changed the world. Now, after a successful first mission with his new team of self-proclaimed 'super heroes'-?JUSTICE FOREVER - Dave and his crew start to understand what living in this new world really means. Plus, the return of Kick-Ass' arch-nemesis THE RED MIST, and things come to a head for HIT-GIRL! 32 PGS./Mature


MORNING GLORIES #11 (MR)
story NICK SPENCER art JOE EISMA cover RODIN ESQUEJO  He's the Glory everyone loves to hate: This issue, learn all the secrets behind Manhattan's most devious young socialite!


PUNISHER #1
Written by GREG RUCKA Penciled by MARCO CHECCHETTO Cover by BRYAN HITCH Variant Cover by SAL BUSCEMA Variant Cover by NEAL ADAMS Blank cover also available TIME TO GET BACK TO WORK. For Frank Castle death comes easy...life is where things gets complicated. Fully loaded with the Eisner winning writer Greg Rucka (Batwoman, Queen and Country, WOLVERINE) and neo-superstar artist Marco Checchetto (Amazing Spider-Man, Daredevil), the BIGGEST GUN of all returns with blood on his hands and vengeance in his eyes. As New York City's body counts continue to rise, the city's streets are teeming with more methodical criminals than ever and a police force doing it's best to keep its head above water. The Punisher has returned to serve his own brand of justice with everything's he's got... but can he survive the darkness stored in his own arsenal? Plus bonus pages exploring some of the new personalities in Frank's life...and how closely intertwined living is with dying. 40 PGS./Parental Advisory


RED WING #2 (OF 4)
story JONATHAN HICKMAN, A PLUS! PROJECT art & cover NICK PITARRA & RACHELLE ROSENBERG  'LEARNING TO FLY' Lost in time -- deep in enemy history --  the Captain of the First Wing must find a way home so that he can begin the space-time program that will one day save his future.   


SEVERED #1 (MR)
story SCOTT SNYDER & SCOTT TUFT art / cover ATTILA FUTAKI  'NOTHING WASTED,' Part One 1916. A man haunts the roads; a man with sharp teeth and a hunger for flesh. When 12-year-old Jack Garron runs away from home, he'll see how quickly the American Dream becomes a nightmare. Be there at the beginning of the series that everyone will be talking about!  From Eisner-nominated writer SCOTT SNYDER (American Vampire, Detective Comics), SCOTT TUFT and ATTILA FUTAKI (NYT Best-Selling-Artist: Percy Jackson) comes the most terrifying horror series of 2011--SEVERED.


VAMPIRELLA #8 
(W) Eric Trautmann (A) Fabiano Neves (C) Jelena Kevic-Djurdjevic (25%), Paul Renaud (25%), Ale Garza (25%), Fabiano Neves (25%) A lonely stretch of highway. A tiny town in the middle of nowhere. A trio of vicious creatures on a mission of murder and destruction. And all that stands in their way is Vampirella. It's a road-trip through death and horror, as Vampirella, still dealing with the aftermath of her first adventure, faces a threat that may finally be her match.


WALKING DEAD #88 (MR)
story ROBERT KIRKMAN art / cover CHARLIE ADLARD & CLIFF RATHBURN  Every day, it becomes a little bit easier.


ZORRO RIDES AGAIN #1
Writer: Matt Wagner Penciller/Inker: Esteve Polls Covers: Matt Wagner The one and only Matt (MAGE, GRENDEL) Wagner returns to conclude his epic story of Zorro! We return to the story as Alejeandro de la Vega finds out that his son, Don Diego, is pulling double-duty as Zorro. How will this affect Zorro's continuing crusade against the alcalde of Los Angeles, Luis Quintero? Find out in ZORRO RIDES AGAIN #1!


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Agosto fue un buen mes para los cómics. Morning Glories # 11 continuó la tradición de escarbar en el pasado de los personajes principales, esta vez fue el turno de Ike, el acaudalado y egoísta chaval que rápidamente se ha convertido en uno de mis personajes predilectos. Severed # 1 fue una sorpresa sumamente agradable, no puedo esperar a leer las próximas entregas. Red Wing # 2 estuvo mucho mejor que el primer número, ¿por qué Jonathan Hickman habrá decidido empezar la miniserie de manera tan débil? Aunque si tuviera que elegir a mi favorito sería Kick Ass 2 # 3, que me hizo reír y me impresionó bastante, pasaron tantas cosas en este ejemplar que se convierte en la antítesis de la descompresión. Hero Comics 2011 y Caligula # 3 fueron muy buenos, y trataré de revisarlos individualmente. Y, por supuesto, Butcher Baker Candlestickmaker # 2 fue todo lo que podría esperar de un equipo tan creativo como el formado por Ennis y Robertson. Así que, sin mayores preámbulos, aquí están mis cómics de agosto: 

ARMY OF DARKNESS #1
El ejército de la oscuridad se enfrentará al Re-Animador.


ARMY OF DARKNESS #2
¿Cómo enfrentarse a las abominaciones reanimadas?


ARMY OF DARKNESS FROM ASHES #1
El mundo ha cambiado. ¿Podrá ASH encontrar a los ‘elegidos’?


ARMY OF DARKNESS FROM ASHES #2  
Es hora de luchar por el control de un mundo peligroso.

My layouts / mis bocetos

BOYS #10 (M)
Un súper-humano es culpable de la muerte de un joven. ¿Pero será posible capturar a un sujeto con tantos poderes? 


BOYS #12 (M)  
El misterio del “supes” explosivo aumenta. Mientras, el delicado arte de interrogar prisioneros pasa a ser algo fundamental.


BOYS BUTCHER BAKER CANDLESTICKMAKER #2 (MR) 
1982: en las desoladas islas del Atlántico Sur, el joven marine Billy encuentra su vocación. Pero nadie puede estar en guerra para siempre.


CALIGULA #3 (OF 6) WRAP CVR (MR) 
La locura de Calígula es evidente para algunos. Y debe terminar. ¿Pero qué se puede hacer contra el césar? Ceremonias con sangre de vírgenes, luchas de gladiadores y cenas en los que los invitados son asesinados al azar. ¿Hay límite a la depravación de Calígula? ¿Podrá Félix conservar la cordura ante tanta miseria y horror?


HERO COMICS 2011 (ONE SHOT)  
Neil Gaiman, Sam Kieth & Mike Dringenberg. El equipo creativo original de SANDMAN reunido por primera vez en más de veinte años.


KICK-ASS 2 #3 (MR)
Al usar un traje verde y luchar contra el crimen, KICK-ASS cambió el mundo. Ahora, después de una primera misión exitosa con su nuevo equipo, Dave intentará comprender qué es lo que significa vivir en este mundo.


MORNING GLORIES #11 (MR)
Él es la gloria que todos odian. ¿Cuáles son los siniestros secretos del chico más adinerado e insoportable de todo Manhattan?


PUNISHER #1 
Para Frank la muerte llega fácil... la vida es lo complicado. Frank regresa con sangre en sus manos y venganza en su mirada


RED WING #2 (OF 4) 
Perdido en el tiempo, el capitán del Primer Ala debe encontrar un camino a casa para iniciar el programa que salvará el futuro.


SEVERED #1 (MR) 
En 1916, un hombre acecha los caminos, hambriento de carne. Cuando Jack, un chaval de doce años, escapa de casa descubrirá qué tan rápido el sueño americano se convierte en una pesadilla. 


VAMPIRELLA #8 
Una carretera. Un pequeño pueblo en medio de la nada. Un trío de viciosas criaturas en una misión de asesinato y destrucción.


WALKING DEAD #88
Cada día es más fácil.


ZORRO RIDES AGAIN #1 
Alejandro de la Vega descubre que su hijo, Don Diego, es el nuevo Zorro. ¿Cómo afectará este descubrimiento al Zorro original?

September 13, 2011

Smax - Alan Moore & Zander Cannon

“Isn’t it good to be lost in the wood…and isn’t it bad, so quiet there, in the wood?”, is what you get if you combine the titles of the first and second issue of this miniseries (coincidentally, every issue is titled following the lyrics of Syd Barrett’s Octopus, check the 5 splash pages I’ve posted and see for yourselves). And certainly it’s a nice way of helping the reader to get in touch with the protagonists dilemmas.

Smax is a troubled man. He’s lost, but at the same time he cannot reclaim his own identity. He’s Jeff Smax, respected police officer from precinct ten, but he’s also Jaafs, the infamous dragon-slayer. He abandoned his home world for several reasons, chief amongst them the remorse he feels for failing in his most important quest as a dragon-slayer. In world populated by magical creatures, killing dragons can be quite a profitable career. You rescue the princess and you get a percentage of the gold that is found in the dragon’s cave. Again, Alan Moore plays with genre conventions, in such a witty and refreshing way that one can burst into laughter at the turn of the page.

Robyn convinces Smax that in order to vanquish the ghosts from his past, he must go on another quest. Ominous signs are bequeathed, presages are foreseen. He has no choice but to obey the dictations of fate. That’s when Smax decides to go to town and reactivate his license as a dragon-slayer. The town displays many of the typical vices that one would find in any large city. Just like it was seen in the first issue, this is not a ‘happily ever after’ reality. You can see a tooth fairy buying drugs, magical creatures prostituting themselves to earn enough to survive, alcoholism and so on. But Moore only shows us this as peripheral activities.

There are some hilarious scenes there, as Robyn meets one of the many iterations of Death. If anybody has read Terry Pratchett’s book about Death then a lighthearted, humorous and yet enthralling portrayal of Death will be familiar… In Smax’s world, death is a part of the bureaucratic machinery. There is a personification of death for each instance and species, there is a death for animals, another one for elves, another one for dwarves; there is a death for minor characters, there is a death for epic, glorious and larger than life heroes. Robyn meets one of the most insignificant deaths, one that deals only with the most irrelevant demises. Nonetheless, they get along, and thanks to their conversation, Robyn learns that she only has one Death to fear, the dark one called ‘Dennis’.    

Once their quest is approved by every office and every functionary, Smax, Robyn and a fellowship of elves, dwarves and others travel across the woods, in search of Morning Bright’s lair. Morning Bright is one of the original dragons, one of the most powerful creatures that planet has ever seen. And although Smax is indestructible he lacks the power to defeat such a powerful foe. And that’s when Robyn offers her help. In a world of magical talismans, secret potions, ancient spells and magical solutions, she offers one whacky alternative: science. Now, for the elves and dwarves, science is as uncanny and incomprehensible as magic to Robyn. And precisely because of that, science is their only alternative, after all that’ the only thing that Morning Bright will find unpredictable.

But despite the results of the battle, there will be one very delicate matter to attend: Smax incestuous relationship with his sister Rexa. He knows once he comes back to Earth he must do that alone, as incest is forbidden by Earthly law. Surviving the monstrosity (literal monstrosity) of his father, a vicious and cruel ogre that would rape his daughter constantly, meant that at a young age Smax had to kill the ogre and run away with Rexa. He has shared a live with her, and it will be difficult to leave her behind once again. 

Why is their relationship so important? They seem to surpass the idealized brotherly relationship as seen in Sophocles Antigone. Smax and Rexa are 'autadelphos' (Greek term: autos- "same"; adelphos- "sisterly", related to delphus- "womb"), not only have they shared the mother's womb but they also share every physical trait, except for gender they’re identical to one another in physical appearance and superpowers. According to Saussure's linguistics, brother and sister would only be able to articulate themselves into the symbolic order by functioning as mutually supplementary properties. Here the signifier (the body) is the same, but the signified (the personality) is not. If they see themselves as irreplaceable, if they actually complement each other, what should they do? Live together thus validating incest? Or part ways again, perhaps forever?

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"¿No es bueno estar perdido en el bosque?... ¿y no es malo, estar tan silencioso allí, en el bosque?", es la frase que se obtiene al combinar los títulos del primer y segundo ejemplar de esta miniserie (por cierto, el título de cada capítulo proviene de las letras de Octopus de Syd Barrett, miren las primeras páginas aquí y en el post anterior, y compruébenlo). Y ciertamente, es una manera ingeniosa de acercar al lector a los dilemas de los protagonistas.

Smax es un hombre con problemas. Está perdido, pero al mismo tiempo no puede asumir su propia identidad. Él es Jeff Smax, respetado policía del precinto diez, pero también es Jaafs, el infame verdugo de dragones. Ha abandonado su planeta natal por varias razones, principalmente el remordimiento que siente por haber fallado en su más importante misión como matador de dragones. En un mundo poblado por criaturas mágicas, dedicarse a matar dragones puede ser una carrera bastante lucrativa. Al rescatar a la princesa se obtiene un porcentaje del oro que siempre está escondido en la cueva del dragón. Nuevamente, Alan Moore juega con las convenciones del género, astuta y innovadoramente, provocando carcajadas en cada página.

Robyn sugiere que para derrotar a los fantasmas del pasado, Smax debe emprender una nueva búsqueda. Los signos ominosos se hacen visibles, los presagios son vaticinados. Él no tiene elección, debe obedecer los dictados de su sino. Y es así como decide ir al pueblo y reactivar su licencia como verdugo de dragones. El pueblo encierra muchos de los vicios típicos que uno podría encontrar en una ciudad grande. Ya desde el primer capítulo vimos que esta no es una realidad de "finales felices" Así que es común ver a un hada comprando drogas, criaturas mágicas prostituyéndose, alcoholismo, etc. Aunque Moore solamente muestra estos eventos de refilón.

Hay algunas escenas hilarantes, por ejemplo, cuando Robyn conoce a una de las tantas versiones de la muerte. Si han leído el libro de Terry Pratchett sobre la muerte, entonces una desenfadada, humorística y aún así fascinante representación de la Muerte les resultará familiar... En el mundo de Smax, la muerte es parte de la maquinaria burocrática. Hay una personificación de la muerte para cada instancia y para cada especie, hay una muerte para animales, otra para elfos, otra para enanos; hay una muerte para personajes menores, otra para los héroes épicos y gloriosos. Robyn conoce a una de las muertes más insignificantes, encargada de fallecimientos triviales. No obstante, se llevan muy bien, y es así como Robyn descubre que la única muerte a la que hay que temer responde al nombre de Dennis.

Una vez que su misión es aprobada por todas las oficinas y todos los funcionarios, Smax, Robyn y una comunidad de elfos, enanos y otros viajen en busca de la guarida de Morning Bright. Morning Bright es uno de los dragones originales, una de las criaturas más poderosas que el planeta ha conocido. Y aunque Smax es indestructible  carece del poder necesario para derrotar al dragón. Y es allí cuando Robyn ofrece su ayuda. En un mundo de talismanes mágicos, pociones secretas, antiguos hechizos y soluciones mágicas, ella ofrece la alternativa más disparatada: la ciencia. Para los elfos y enanos la ciencia es tan irreal como la magia para Robyn. Y justamente por eso es lo único que Morning Bright no podrá prevenir.

Pero al margen de los resultados de la batalla, hay otro asunto delicado: la relación incestuosa entre Smax y su hermana Rexa. Él sabe que si regresa a la Tierra deberá hacerlo sólo, ya que el incesto está legalmente prohibido. Sobrevivir a un padre monstruoso (literalmente monstruoso), un ogro cruel y vicioso que violaba a su hija constantemente, significó que a una temprana edad él tuviera que matar al ogro y huir con Rexa. Ha compartido una vida con ella, y será difícil dejarla nuevamente.

¿Por qué su relación es tan importante? Ellos parecen sobrepasar la relación fraternal idealizada, tal como se ve en Antígona de Sófocles. Smax y Rexa son 'autadelphos' (término griego: autos- "mismo"; adelphos- "fraternal", relativo a delphus- "útero"), no sólo han compartido el mismo útero materno sino que comparten rasgos físicos y súper poderes. Siguiendo la linguística de Saussure, hermano y hermana solamente serían capaces de articularse en el orden simbólico si funcionan como propiedades mutuamente suplementarias. Aquí el significante (el cuerpo) es el mismo, pero el significado (la personalidad) es otro. Si ellos se ven como irreemplazables, si de hecho se complementan el uno al otro, ¿qué deberían hacer? ¿Vivir juntos y por tanto validar el incesto? ¿O separarse, quizá, para siempre?

September 12, 2011

SMAX - Alan Moore

So I finally ordered SMAX, a 5 issue miniseries that comes right from the pages of Alan Moore’s Top Ten. I know I should review Top Ten but that will have to be next month. Suffice to say, though, that Top Ten is about Precinct Ten, about a group of police officers that have to deal with an entire world of super-powered beings, a world with aliens with strange powers, ultra-technologically enhanced citizens, magic based creatures and even a few divine pantheons. So, of course, in this planet, and in this city, being a cop is extremely complicated.
chapter one / capítulo uno

The officers in Top Ten represent a very rich and unique cast of characters, with different powers and very distinct personalities. One of the main characters was Jeff Smax, a tall, blue-skinned alien with super strength, invulnerability and the ‘strong light’, an energy projection ability. In the first issue of Top Ten he’s paired with Robyn, AKA Toybox. She is just a normal girl but she possesses a box filled with super-advanced miniaturized robots, shaped like toys, which function like a small army in battles.
tavern / taberna

I don’t know why it took me so long to order SMAX. Top Ten had been so wonderful that I guess I was afraid that this spin-off wouldn’t live up to the level of quality of the original series. A reasonable preoccupation, after all, most spin-offs are rarely good. But I’m glad that I finally read it. Yes, it’s a wonderful series and it works precisely because it’s different from Top Ten: you don’t need to read any previous issue to connect with the characters or understand what’s going on.

In the first issue Jeff Smax must return to his home planet, to assist to his uncle’s funeral. Robyn, probably his only friend on Earth, decides to tag along. One of the things that I loved the most about Top Ten’s artistic approach was the amount of details and hidden homages / references to comics or movies hidden (or in plain view) in every frame, in every page. Here artist Zander Cannon manages to accomplish the same feat. Take a look at the splash page of the first issue: we have Mick Anglo’s classic British super-hero; an obvious Matrix reference in one of the billboards (‘why didn’t I take the blue pill?’, it’s an ad for a pharmacy); Rorschach from Watchmen talking with Steve Ditko’s The Question from Charleston Comics / DC Comics, and many more (in fact, who else can find other references / homages in this page?).
uncle's funeral / funeral del tío

Smax feels ashamed of his world, he describes it to Robyn as an underdeveloped planet, outside the commercial interstellar routes. It’s world of magic, outside the boundaries of science: it’s a world in which transportation takes place thanks to wizardry or mythical flying creatures, a world inhabited by gnomes, elves, dwarves, trolls, ogres, fairies, talking animals, dragons, etc. A world absolutely charming; and here, very much like in Top Ten, there are constant references to the literary genre of fantasy as well as fairy tales. It’s a quite a delight, not only as a metatextual insight of literary categories and therefore unyielding structures and clichés but also as a metaphor of Smax’s own necessity to fit in a certain role, an specific classification. His understandable urge, of course, comes from his own hybrid condition: he’s the son of an ogre and a powerful, magical female warrior. And so is his sister.
death of the father / la muerte del padre

The folklore and the magical creatures of Smax’s home leave Robyn in awe. But as they seek for a suitable lodging they find themselves trapped in a very peculiar situation. They stay in a tavern that works according to every genre convention of children’s narrative, Robyn is given a bed with dozens of mattresses piled up and a pea underneath them, as if she were the princess from bedtime stories. And Smax finds himself in a typical dungeon with torture instruments. However, it’s the food what shocks them the most: mermaid, unicorn, cherubim, the goose of the golden eggs, the three piggies. Like I said before, the more you remember the stories your parents told you before going to sleep, the more you can laugh about the irony in Smax’s pages. 

The evolution of the characters is quite rewarding. The perpetually silent and serious Smax from Top Ten gives way to a more communicative albeit insecure and guilty man. Robyn is stunned as she finds out one revelation after another. Back in Earth, Smax would barely say his full name; in his planet, though, he ends up confessing his innermost secrets. 

Guilt, according to Jacques Lacan, disassociates the concept of the self and the superego. Guilt comes when one gives into desire. To give in means not to carry out that which is represented as our desire. Smax feels guilty for his incestuous relationship with his sister. But at the same time, he blames himself for failing miserably as a dragon-slayer.

Top Ten had superb art by Gene Ha, but I think Zander Cannon was just the right artist for such an extravagant and yet funny and fantastic miniseries as Smax. With a very clean, ‘cartoony’ style, Cannon delivers both the horror and the humor, the light and the darkness, the perennial dichotomy inherent to all bedtime stories. At the same time, he also manages to provide the reader with plenty of visual details, insinuations and jokes that make this world of fantasy more cohesive than anything else. 

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Así que por fin leí SMAX, la miniserie que deriva de las páginas de Top Ten de Alan Moore. Estoy impaciente por escribir una reseña sobre Top Ten pero eso tendrá que esperar. Pero, a modo de introducción, recordemos que Top Ten se centra en el precinto diez y en varios oficiales de policía que deben lidiar con un planeta lleno de seres súper-poderosos, un mundo con alienígenas de extrañas habilidades, ciudadanos con armamento avanzado ultra tecnológico, criaturas mágicas e incluso unos cuántos panteones divinos. Desde luego, en este planeta, en esta ciudad, ser un policía es extremadamente complicado.

Los policías de Top Ten son un variado y rico elenco de personajes, con diferentes poderes y personalidades muy marcadas. Uno de los protagonistas es Jeff Smax, un extraterrestre alto, de piel azul, con súper fuerza, invulnerabilidad y un poder lumínico de proyección de energía. En el primer número de Top Ten su nueva compañera es Robyn, alias Toybox; ella es una chica normal pero cuenta con una caja repleta de robots miniaturizados en forma de juguetes que funcionan como un ejército ideal.


Quedé maravillado con Top Ten, y quizá pensé que algo que derivaba de esta colección no estaría al mismo nivel. Pero me alegra haberle dado una oportunidad a Smax, se trata de una miniserie brillante, que funciona precisamente porque es distinta a Top Ten: no hace falte haber leído ningún número antes para conectar con los personajes y entender lo que sucede.


Jeff Smax debe regresar a su planeta natal para asistir al funeral de su tío. Robyn, probablemente su única amiga en la Tierra, decide acompañarlo. Una de las cosas que más disfruté del enfoque artístico de Top Ten fue la cantidad de detalles y homenajes / referencias a cómics y películas, a veces escondidos y a veces a plena vista, en todas las viñetas, en todas las páginas. Aquí, el artista Zander Cannon se las arregla para lograr la misma proeza. Basta con un vistazo a la página inicial del primer capítulo: tenemos un clásico súper-héroe británico (creación de Mick Anglo), una obvia referencia a Matrix en una de las pantallas de anuncios ('¿por qué no tomé la pastilla azula?', ideal para un aviso de farmacia); Rorschach de Watchmen charlando con The Question de Steve Ditko (Charleston Comics / DC Comics) y mucho más (de hecho, ¿quién se anima a encontrar otras referencias en esta página?).


Smax se siente avergonzado de su planeta, al que describe como subdesarrollado y fuera de las rutas comerciales interestelares. Es un mundo de magia, lejos de los confines de la ciencia: es un mundo en el que el transporte se consigue gracias a la hechicería o a míticas criaturas voladoras, un mundo habitado por gnomos, elfos, enanos, trols, ogros, hadas, animales que hablan, dragones, etc. Un mundo absolutamente encantador; y como sucedía con Top Ten, hay constantes referencias a la fantasía como género literario y a los cuentos de hadas. Una verdadera delicia metatextual en donde las categorías literarias y sus estructuras inamovibles (y clichés) son una metáfora de la propia necesidad de Smax de encajar en un rol dado, en una clasificación específica. Comprensible si tenemos en cuenta su condición como híbrido: es el hijo de un ogro y de una guerrera con poderes mágicos. Al igual que su hermana.


El folklor y las criaturas mágicas sorprenden a Robyn. Y cuando buscan un alojamiento apropiado se encuentran atrapados en una peculiar situación. Llegan a una taberna que funciona de acuerdo a las convenciones literarias de la narrativa infantil clásica; a Robyn le dan una cama con docenas de colchones apilados y debajo de uno de ellos, como si ella fuera la princesa del cuento, hay un guisante. A Smax le toca la típica mazmorra con instrumentos de tortura. No obstante, es la comida lo que los deja anonadados: una sirena, un unicornio, querubines, la gallina de los huevos de oro, los tres chanchitos. Como mencioné antes, mientras más recuerden las historias que les contaban antes de ir a dormir, más podrán reírse con estas páginas.


La evolución de los personajes es extraordinaria. El Smax serio y silencioso de Top Ten se convierte en alguien más comunicativo aunque inseguro y con mucha culpabilidad. Robyn no puede crear lo que él le revela, los secretos oscuros que confiesa.


La culpa, de acuerdo con Jacques Lacan puede verse disasociada del sujeto y del superego. La culpa nace cuando uno cede en su deseo. Ceder, en este caso, significa no cumplir con el deseo. Smax se siente culpable por la relación incestuosa con su hermana, pero sobre todo por haber fracasado miserablemente como verdugo de dragones.


Gene Ha es el genial artista de Top Ten, pero creo que Zander Cannon era el dibujante ideal para un proyecto tan extravagante y divertido como este. Con un estilo limpio, casi caricaturesco, Cannon evoca el horror y el humor, la luz y la oscuridad, la perenne dicotomía inherente a los cuentos para niños. Al mismo tiempo, llena sus páginas con detalles, insinuaciones y bromas que convierten a este mundo de fantasía en una realidad coherente.

September 11, 2011

September 11

I had been there, on the Twin Towers. I had paid around 15 bucks to visit the 110th floor and marvel at the magnificent view of New York. I remember the elevator would take all the tourists to the 108th floor and then we had to go up the stairs. And up the stairs we went.

I watched the tiny Statue of Liberty, I saw the green in Central Park. In a normal building you’d see people as ants, but from thousands of feet you would see cars as ants. I never forgot how exciting it was for me to be there. It was my first visit to New York, to Manhattan. And I was in love with the architecture and the urban landscape and everything.

In 2001 I was in my last year of high school. I was in the middle of some excruciatingly boring trigonometry class and then, all of a sudden, my biology teacher came into the classroom with a portable radio. I only needed a few seconds to know that something very important was happening. This was minutes after the first plane crash, and there was confusion all over the news. Nobody knew for sure what was going on. The whole class ended up in the school’s library, and there, in the big TV we would watch CNN and the same image, displayed over and over again.

I still remember it to this day. It’s been a decade. I’m no longer 17. But watching an airplane crashing into one of the towers, the very same tower I had visited a year ago, shocked me deeply. This was the only time in my life in which I couldn’t believe what I was seeing. I was in Lima, Peru, millions of miles away from Manhattan, and for a few minutes I had doubts. Was this really happening? I can only imagine how New Yorkers felt that day.

I was there on the towers, promising myself that I had to be there again and see the city from high above. And then, one year later, I was in Barranco, in Lima, knowing that the World Trade Center I knew was gone. I traveled again to the US in 2006. I have experienced a flight before 9-11 and after 9-11. I think it’s obvious that the world changed that day. But the time for grieving and revenge has now passed. Now it’s time to rebuild things.

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El día 11 de setiembre de 2001 estuve más de dos horas viendo televisión, y aún después de haber visto las imágenes del avión estrellándose en las torres podía creerlo. Era algo demasiado inverosímil, algo fuera de la realidad. Pensé en las horribles represalias que tomaría el republicano Bush, y me avergüenzo un poco al admitirlo, pero mi reacción fue desear el contraataque.

Yo había pisado el liso asfalto de la Quinta Avenida, paseado por las calles de Manhattan y visitado las fabulosas Torres Gemelas. Había estado allí, había contemplado el paisaje más extraordinario que podía imaginar, no un paisaje natural, indómito y por consiguiente peligroso. No, lo que vi fue una imagen de la mega urbe, algo que juré que tendría que volver a ver, la vista desde la ciudad en una fría noche de marzo, con todas las luces y los sonidos me cautivó profundamente. Ahora, la posibilidad de ver a New York como lo hice había cesado de existir. La existencia de las espléndidas torres residía únicamente en mi memoria.

Con qué derecho, me preguntaba, ese grupo de terroristas había atacado al país de una manera tan intempestiva. Habían destrozado el corazón financiero de aquella nación, eliminando en el acto las vidas de miles de civiles inocentes, rostros con nombre a quien yo inadvertidamente vi pasar en algún momento cuando estuve allí. Incluso yo pude haber estado en ese momento. Me sentí furioso contra los atacantes, ni siquiera pensé en analizar el motivo del ataque, me parecía tan carente de sentido que no pensé en lo que pudo motivar este artero golpe.

Después de un tiempo, y continuando la búsqueda de piezas que completen este rompecabezas vi las cosas de otro modo. Siempre habrá que recordar la ambivalencia moral de la política exterior de Estados Unidos. Y su rol intervencionista habría de traerle complicaciones algún día, aunque quizá nadie imaginó un atentado de esta magnitud. De todos modos, después de una década de la tragedia lo que corresponde ahora es la reconstrucción, en más de un sentido.